Showing posts with label figurative painter. Show all posts
Showing posts with label figurative painter. Show all posts

Wednesday, June 8, 2011

Paintings for Sale - Large and Medium

Following are a few of my oil paintings on canvas for sale. They are either large or medium sized. Contact me if interested.


Title: Woman in the Forest


Title: Talking to Opu, oil on canvas


Title: Purple Forest, oil on canvas

Title: Mendicant, oil on canvas

Thursday, March 3, 2011

The Figurative Art of Painting the Face


A work in progress

Firstly, it is the face that attracts anybody. As an artist, the thing I love to paint foremost is the face. It would be very easy so find the reason if one analyses it. But I would just like to say that emotions affect me. And the face is the part of the body where emotions show most easily. In that case, I would be an adherent of the Expressionist school of art, I understand.

Slowly I am getting to know my art. Why do many kinds of things? Why experiment with so many colors? Isn't it the right time to choose, to focus on some, and block out the rest. For a signature style, isn't it necessary to choose?

And layering - of colors - so that it shows in depth, is essential. For some time now, I had been concentrating on small size paintings. I had moved away from my size, which is large. In India, when I started off, I started with the large size. Due to the economy, I have forced myself to do the small sizes. But that has not been very satisfying. That should not be the case, but that's how I am feeling. My personality likes big paintings, and I should not confine myself to the small ones.

With this thought process, I am preparing the ground to restart work on the large ones. Hope this is the right path. What do you say?

Saturday, January 1, 2011

How to Paint when I don't have an Art Studio




I am an artist. I like to paint as often as I can. I do paint frequently, in intense patches of time. But what are the options for someone who does not have a studio? I have been seriously facing the crunch of space and  looking to solve this issue. I am sure many artists face the same problem as this.

I have a table where I do my smaller paintings like ACEO, pastels, sketches. The smaller table top easel is used for the smaller upright works. On the balcony, I have set up my large easel. That is for the bigger works. Sometimes I use the portable easel when the work needs to be moved around.

But all these makeshift arrangements have not been easy. I am in need of a permament work place. A proper studio. My own art studio.

And, I am happy to say, that dream is soon going to be fufilled. We are going to shift to a new place, where I can have my own workplace. The garage would be my new studio. I am so elated about this whole thing. I would have a place to set up all my easels, my table, my racks with paints and brushes, and fill up the walls with new work. The new year is going to be great! I thank God for all this mercy.

Monday, December 20, 2010

The Human Figure in Painting

Waiting, oil on canvas
Status: available

Any artist, even landscape artists, should know about the human figure. And the way an artist should know the human figure is to know the anatomy in detail. But if one is a figurative painter, then knowing the human figure is very important. And for those who are portrait painters, and those who stick to realism, I don't have to explain much at all.

Knowledge of the human figure to an artist should be as clear as it is to a physician. The overall structure of the body and the curvature is what gets apparent in a finished painting. But to be good in that, an artist needs to know the details of the bones. Where are the long bones and the short ones, the joints, kinds of joints, musculature around the different limbs of the body as well as in the body. There is a lot of finer points that the artist has to keep in mind while tackling a human figure.

Drawing and sketching cannot be emphasised more when it comes to practising the human figure. Only with enough drawing can one get a grasp of the subject. No part of the figure can be ignored. Whether it is the fingers, the facial muschles, the shoulders, the legs, the back. The shape of the head too. If one likes figures in motion, then one needs to hone ones skills in that department too.